So a problem for keyboardists who play multiple keyboards live is having enough input channels in a small enough form factor mixer. I complicate that because I also like to be able to have some control over my monitor mix, and use stomp boxes live. That’s a tall order to find in a small form factor.

Today I think I found the ultimate line mixer that checks all of those boxes- the Samson SM10. It has some really cool features in a 2U rack format I’ve never seen before in a line mixer:

1. 8 stereo line inputs (with two XLR inputs)

2. The ability to route channels to a separate headphone mix only, allowing for them to be used for monitoring purposes only

3. Dedicated FX loop

4. Panning for all inputs

5. XLR output so you don’t need a DI for FOH

To create a separate monitor mix for myself, I’ll be doing something rather unusual. I’ll plug my wireless or wired pack live into the back of the SM10 on channel 1 using the stereo input, then route it to a separate “Mix B” section only this line mixer has.

Then I’ll route the output of the whole mixer (minus the mix B inputs) through the 1/4 outputs on the back into channel 2, and send it to mix B, as well. Then I’ll select the headphones to only monitor mix b, which is a combination of the monitor sends from the venue and my keyboards. This will allow me to have independent level and panning for both of the inputs without having to flag down a monitor engineer.

Confused? I maybe, too. 😆When the unit comes in I’ll post a more detailed walkthrough of how to set everything up.