A millennial’s advice to advertisers

Marketing to millennials is remarkably straightforward. State what you do, and then do it.

As a millennial, I grew up in an era where almost no organizations did this. The name of the game in the early 90’s was still overextended ad campaigns peddling sub standard products.

If you didn’t mind dropping millions of dollars, you could convince people that sugared cereal was an essential part of your morning, subpar beer made you attractive to the opposite sex, and kids needed an unbroken supply of new toys in order to be happy.

Millennials got the message, and as we age we became cynical when the promises didn’t come through. We’re distrustful of any organization of any kind, especially those that profit from us.

Out of that disillusionment has come some good things. We are highly resistant to traditional advertisements. There’s only two things that really works with us: integrity and transparency.

Both of those words have been redefined by my generation to mean:

Integrity = doing what you say you’ll do consistently

Transparency = doing what you say you’ll do without any “catches”

A few examples:

if you’re a non profit, you should be able to say “we want to see this specific outcome for these specific people. And here’s how we get our funding, and here’s where the money goes.”

If you’re a company, you should be able to tell customers “this is what we make, it’s really cool for this reason, and it will fix this problem for you for this price.”

If you’re a church, it needs to be something as simple as “we help the poor in this specific area and we take care of families that go to our church. And oh yeah, we have pretty good teaching on Sunday morning with a good worship team.”

Where things fall apart for millennials is when inconsistencies show up.

That could look like being part of a church that we believe has a stated goal of helping the community around us financially, and realizing that 99% of the budget goes to pay for the cost of the church building and the pastor. Or when Kellogg’s tells us that frosted flakes has nine essential vitamins and minerals, but none of them are absorbable for the human body. Or social media networks that claims to build communities, structures itself in a way to maximize ad dollars instead, separating people into smaller and smaller communities of toxic echo chambers.

These things are inconsistent because it goes against what we thought the goals were.

Great examples of groups getting it right are all over the place, but one of my favorites is Valhalla DSP. They’ve never run a sale, ever. It’s really simple how they structure the business – you pay $50, and you get this really cool plug-in that you can use if you’re a musician that does all kinds of cool stuff. No strings attached, no upgrade and update costs. They are really, really clear about what they do, what they offer, and what you get if you spend $50.

Wikipedia is a another great example. The transaction is simple – you can access the whole site for free if you want, or if you’re a generous person, you can donate a couple of dollars so that they can stay in business. Wikipedia could make tens of millions of dollars by sharing the information that users are clicking on, or by placing ads on their site. They don’t, because that’s not what Wikipedia is about.

Good news is, it’s not too late. Organizations can pivot. Facebook could say “what is going to make us profitable long term is building a healthy community. We’re going to figure out ways to profit from a healthy community, and rely less on data as our only source of income”. General Mills could say “we’re a leader in the food industry, and we plan on being around 50 years from now. Which means we need to drastically change our farming practices so we can position ourselves to be leaders in sustainable farming in 10 years. And oh yeah, figure out how to change our products to make them benefit the long term health of our consumers. Maybe even push up the prices in the process and make an even bigger profit.”

Millennials aren’t asking for corporations to stop turning profits. We are just sick of corporations and organizations making exorbitant short term profits by sacrificing their integrity and transparency.

If you’re launching a product, start from the ground up by really being specific about what you give consumers, how are you give it to them, and what they can expect. If you’re part of a legacy brand, if you want to survive in the future, there has to be a narrowing and a redefining of what you do.

It’s a simplest thing in the world, and it’s also the most difficult because it requires making a lot of hard emotional decisions.

One last thing – if you’re an organization like Kelloggs, and you don’t wanna change fundamentally what you do, it’s better to be honest about what you do than keep up the ruse. Maybe rebrand to something like “lucky charms – a super fun, 90’s throwback breakfast for when you feel like celebrating.” At the very least, we’ll appreciate the honesty. And maybe even buy it, because those 90s commercials were pretty entertaining. ❤️

Weekend Update, 7/11/21

V busy week, but mostly good.

• Played my first run with Sidewalk Prophets this week. They’re good dudes, and good players. It’s always weird subbing in with a bunch of people you haven’t played with before, with about an hour of rehearsal under your belt, but it turned out great despite that.

Since most of the week was spent prepping for the run of shows, I’ll go a little more in-depth about it.

• Sidewalk Prophets stuff is straight lifehouse style rock, with a bit of organs and CCM-type stuff included. I kept it really simple this run, using just a Nord Stage 3. We did a church and a festival, and at the festival I really wished I’d had more out just for the look. We live in an odd era where keyboards can do so much in a small package, and while I feel like 90% of the time I don’t need more than a Nord Stage 3, it would LOOK cooler to have more onstage.

• I made the mistake of learning/charting all the album versions of the song, and checked the board mix (rough recording of their live set) second. Because they play so much, almost every song was quite a bit different. That put me at two disadvantages: 1. I had timed it out so I’d have time to memorize the whole set, and switching the arrangements made me behind on that goal by almost 4 days, and 2. I had to rechart everything to get my head around the arrangements.

• Unfortunately that meant I ended up bringing cheat cards (small iPhone-size nashville number charts) onstage with me to make sure I had everything locked in, which is always cumbersome. Lesson learned.

• Still, the shows went well overall, minus the usual speed bumps of playing with a band you’re not used to.

Festival date in Oshkosh, WI. I haven’t played to a crowd this size since pre-pandemic.

Festival date in Oshkosh, WI. I haven’t played to a crowd this size since pre-pandemic.

Weekend Update, 7/4/21

Hey Girls and Guys,

Been out for a hot minute- sorry about that.


(Also, have you noticed when people disappear from the internet, we really don’t miss it usually? And yet somehow I always feel the need to apologize 😆)

Anyway. As you might guess, it’s been busy.

• Played a bunch of shows with a bunch of people, mostly Apollo LTD, Rachael Lampa, and The Downtown Band. All good, minus one hellish show with The Downtown Band in 95 degree heat for 4 hours. Those are the nights that try souls, but it makes it worth it if you’ve got the right people around you.

• Don’t usually talk about upcoming stuff here, but I’ll be playing my first shows with Sidewalk Prophets this week in Michigan. They needed a keyboardist so I hopped in, and I’m kinda digging what they’re all about.

Between that and family in town, haven’t done much else. Here’s a few interesting things:

• This website will tell you exactly what Native American tribes lived in the area you’re living in. Bit disconcerting but fascinating.

• Learning 30-40 songs a week make you have to look for shortcuts, and one of the best I’ve ever found is the software Anytune. It lets you slow down, speed up, bookmark spots, loop areas, and organize your music any way you want, and it’s become one of the most important pieces of software I own. 10/10 recommend.

That’s about it for now. Hope your 4th goes over with a bang.

Weekend Update

There’s almost nothing to report this week. Had family in town, so not much of anything got done, and that’s fine once in awhile, right? Right?

A few fun things:

  1. My wife bought me a record player, and now I’m heading down the deep, dark path that is vinyl collecting. First two albums were a record store find of the Carter family, and a special order from Target (big box stores sell vinyl, what?) of Bleacher’s “Gone Now” album, which might be one of the most imperfectly perfect pop albums of the 2010’s.

  2. I don’t do well with not working. I get nervous, antsy, and end up feeling pent up at the end of every day. Not sure why, going to have to unpack that at a later date when I’m not so busy. Anybody else?

  3. I’ve been experimenting with sampling pianos, and really interested in how it’s possible to get something really usable from an instrument with a cheap mic. More to come on that later.

Have a good week, folks.

A Text Message to My Dad about Midi 2.0

My dad texted me tonight about MIDI 2.0 and how it might change the music industry. (Can we pause so I can revel in the fact my dad, a 67 year old man, understands music tech enough to understand the implications of MIDI 2.0? 😆)

Here’s my response:

“ MIDI 2.0 is going to be a really big deal on a lot of levels, for sure. They announced it in late 2020 before the world shut down, and so there’s not much gear that’s ready for it yet.

Change the music industry awesome? Probably not. But there’s some really nice stuff like higher resolution, higher throughput, and 2-way communication with a single cable that’s really going to be nice.

The problem right now is this is a little late, and because of it a lot of manufacturers have switched to another protocol called TouchOSC which has many of the capabilities of MIDI 2.0. I feel like this is a bid by MIDI to try and stay relevant, and I think it’ll work because it’s backwards compatible and it’s such a cheap tech to put in an instrument.”

While I’m at it, I probably should call my mom, too.

Weekend Update, June 6th

Busy week this past week. Here’s what the schedule looked like:

Monday: teach a handful of piano students.

Tuesday: all day practice with Apollo LTD prepping for a showcase for radio broadcasters in Orlando, FL.

Wednesday: fly to Florida, soundcheck.

Thursday: play the showcase, fly home.

Friday: Downtown Band Show.
Saturday: Downtown Band Show.

Edit: Not the busiest week ever, but after a long year of a smattering of shows a month, it felt like drinking from a firehose.

What else? A few things:

As I get older, I am more convinced of two things:

  1. Any band is only as good as its drummer. (All shows this week had great ones, FYI)

  2. If you hire the right people, even really difficult stuff becomes doable.

Also, make sure you wear matching socks when you go through airport security.

That’s all, folks.

Weekend Update, May 30th

Another busy week, but not necessarily in a good way.

• Came down with a cold, and spent most of the week just limping along trying to get the bare minimum done. Yes, music professionals definitely have those weeks, too.

• Still managed to play a set with the Downtown Band and play on Sunday. Not a lot to report on either of those counts.

Interesting stuff:

Bleachers just released a new track and it’s awesome. His stuff is locked in and washy at the same time, and I love the way he uses resampling to make something special.

Sylvan Esso just released an awesome music video for their track “Numb”. Choreography like this is really cool to see coming from an indie band.

Next week’s busy, with 5 shows (a record for the last two years). Until then, see ya.

Weekend Update, May 22nd

Good week here. Hope yours went well, too.

• Played another gig with Downtown Band this weekend. Love the crew, and learn something new every time. Also, this marks the first time I’ve used MainStage live since my great existential meltdown with MainStage a few years ago. The new patches behaved flawlessly, and made me start thinking about what my future keyboard rigs will sound like.

• Got some auditions for artists coming up, which I’ve been woodshedding for. More on that later.

• Tracked the top line for a song I’m co-writing/producing with Rachael Lampa. As soon as anything’s fit to be heard, I’ll post it.

Other interesting stuff:

• I went down the rabbit hole this week with plugins. There are so so many, but some of my favorites newbies are Shapeshifter, Valhalla Delay, and free this week only, Model 15 from Moog.

This app looks really cool. Why is it so hard for me to justify spending 10 bucks on an app, and not $10 on food that I’ll poop out later?

• If you haven’t heard of Greg Phillinganes, you’ve definitely heard his keyboard playing. His credit list is miles long, and he talks about his work with Stevie Wonder and being a great keyboard player here.

And that’s a wrap for the week. Stay healthy out there.

Career Choices

Trying to figure out the next moves for me as a touring/session musician in the next few months. Here’s a theoretical thought for you:

You’re offered two opportunities.

One is with an up and coming artist that has a great sound, music you believe in, and momentum, but doesn’t have a lot of cash for payroll or a ton of shows yet.

The other is with an established, well respected artist, arguably on the backside of her career, but pays really well, plays prestigious venues, and is a recognizable name that your peers respect.

In this theoretical situation, both artists require a full-time commitment, and if you turn down too many of the shows with one of the artists, they have to let you go and find someone more available.

Which do you pick, and why?

(this isn’t rhetorical- I really have no opinion.)

Top 5 plugins right now

I’m in the middle of producing a track for a friend of mine, which means using lots of plugins. Here’s what has me jazzed right now. And 3 out of 5 of them are free!

Aberrant DSP Sketchcassette

This does some crazy tape saturation effects that I’ve never heard before. Check the video for demos.

Micro DSP’s OB-XD

As vintage emulations of analog synths go, this one’s pretty amazing. And it’s free.

Valhalla’s Super Massive

Another free plugin, this thing can cover a wide range of delay and reverb tones. Probably my favorite massive reverb generator ever.

TAL’s Chorus LX

This one’s free, too, and will give you the Juno 60’s chorus with a click. Instant 80’s vibe on everything.

Spectrasonics’ Keyscape

Not free, but worth it. The best electric pianos and other piano instruments available.