Managing a worship band is challenging, and it takes special set of skills to keep everyone on track. Here are 7 mistakes I’ve seen even experienced worship leaders make on occasion:
There is nothing crueler you can say to a musician. Saying “you have to make your own breaks” is the equivalent of telling someone they have to be struck by lightning more often.
I’ll be the first to confess: I’m pretty bad with numbers. Over the last few years my wife has been slowly prodding me toward better financial practices, including writing down all of my business expenses. I wasn’t sure it would be worth it, but after almost a year of tracking nearly every dollar we spend (I still screw up occasionally) it’s been amazing the results. Here are 7 things that tracking expenses helped:
I was cramming for a gig this last week- a whopper set with over 64 songs and less than 4 days to work it up. Desperate for any edge I could get, I dropped $30 on the practice software AnyTune. AnyTune allows you to organize MP3s into sets, tag specific songs to practice, stair step up and down the tempo and key signature, and much much more.
This week I'm excited to have my friend and fellow Nashville musician DJ Phillips write about what he looks for when hiring pro musicians for his cover band, The Downtown Band.
DJ is someone I admire not just for his quick wit, crazy guitar chops and robust business sense, but also for his uncanny ability to hire and retain top level music talent in a town where it's difficult to hire top talent. My first gig with the band was subbing in for their keyboardist who was currently on tour with Brett Eldridge, and most of the musicians in the group are playing or have played with major acts during their careers. With over 100+ top level musicians in rotation, I don't know anyone better at identifying and hiring successful musicians.
few months ago I played a wedding gig with some great musicians from Nashville. In typical Nashville fashion, every musician was amazing, talented, and fun to hang around with in the green room. Except one guy.
Musicians and artists are in the marketing business, and almost everything that applies to marketing a product applies to how musicians sell their brand. Here’s some of the common mistakes that musicians make when engaging with fans:
If you’re playing a long set, it’s easy to zone out and miss an important part live. Here’s a few tricks to avoid making an embarrassing mistake live:
1. Take notes beforehand.
When I say take notes, I mean chart out every song, write notes for every transition, write in the notes for every solo you play, include which patches you need for each song, etc. It’s very hard to take too many notes, and mentally writing down what you need to focus on in each song will keep you attentive at the gig.
I keep saying this in blogs because its so important: listen. Lock in as much as you can in the feel that the other band members are creating onstage, and blend in. Don’t go on autopilot with what you’re playing, or it will show. It’s easy to sonically get in the way of others when you stop listening to them.
3. Finesse your dynamics, not your notes.
By the time that you’re playing the gig, you’ve probably got all of your notes locked in. Rather than throwing off the other musicians in the group by switching your rhythms or notes, focusing on being subtle with your dynamics can keep you interested while locking in more tightly with the rest of the group.
4. Use self talk.
Keep the running dialogue in your head pointed in productive directions, and make it laser focus on your own musicianship instead of pointing out faults in other players. Above all, stay positive about your performance. Say stuff to yourself like “I’ve got this” and “you’re doing great”. It sounds stupid, but it will make a big difference in your performance.
The music industry is a ridiculously competitive field. With many musicians willing to work for free or very close to free, it makes it hard for professionals to compete. So what’s a young pro musician to do? Here are 5 ways to be more successful at getting work:
As most of you know, I love the music program MainStage. I started blogging about it about 5 years ago when I started this blog, and it quickly became a popular topic. Earlier this year I split out my MainStage interests into a full fledged patch creation company called www.patchfoundry.com, and this week we launched a brand new way of controlling MainStage’s sounds.