This week I help a reader get started playing rock keyboard:
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Nobody wants to hire the person that’s pretty good at what they do for the really important projects, the really big shows. It’s fine to be average on small stuff where there’s not a lot at stake, but when it really counts and there’s serious money on the line, people always go for the best.
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When you step onstage, when you’re working at home on a recording project, when you’re making calls, you are the last line of defense for the quality of what you’re creating. You’re the only person that has the final say on whether your project is good enough, exciting enough, bold enough to make a difference.
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While I’m still getting started working as a studio sideman, I’ve been lucky enough to talk with musicians that have worked with Chris Tomlin, Stephen Curtis Chapman, Matt Redman, and Keith Urban. Here’s what I’ve learned from them:
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Let’s face it- we’ve all got a smart phone with the computing power of a super computer, and we usually use it to play flappy birds (or did until yesterday). Here’s 3 weird ways to utilize all that power in your pocket.
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